Allegaeon x Gorod, special guest: Abysmal Dawn

Klub Zaścianek

Allegaeon x Gorod, special guest: Abysmal Dawn

Allegaeon x Gorod, special guest: Abysmal Dawn

Klub Zaścianek, Józefa Rostafińskiego 4, 30-072 Kraków Directions

Mon 21.09.2026 19:30

Tickets / Registration

Opłata serwisowa - jest wliczona w cenę biletu. Zależna jest od cen biletów i warunków ustalonych z Organizatorem. Do ceny biletu mogą zostać doliczone opłaty dodatkowe, zależne od m.in. wyboru metody dostawy, produktów dodatkowych. *** Trasa "Tech It Easy!" przejedzie we wrześniu przez Europę i zatrzyma się na dwóch przystankach w Polsce! Finezyjne i dopracowane deathmetalowe walce w Warszawie i Krakowie zaserwują Wam Allegaeon, Gorod oraz Abysmal Dawn! Allegaeon istnieją już od blisko dwóch dekad i przez ten czas zdążyli wypracować swój unikalny styl w death metalu, który z jednej strony oparty jest na technicznej wirtuozerii, a z drugiej na wyrazistych melodiach. Na ten moment w swoim dorobku mają 7 dużych albumów i każdy z nich pokazuje ewolucję kwintetu z Kolorado. Wydany w zeszłym roku i zamykający jego dyskografię "The Ossuary Lens" jest pierwszym krążkiem nagranym z powracającym do składu oryginalnym wokalistą Ezrą Haynesem, którego powrót, symbolicznie i realnie, tchnął w zespół nowego ducha. Sprawdźcie ich we wrześniu na żywo, a przekonacie się sami. Jeśli mowa o francuskiej szkole progresywnego/technicznego death metalu, to Gorod jest zdecydowanie jej najbardziej reprezentatywnym zespołem. Grupa powstała w 1997 roku jako Goregasm, a pod obecną nazwą działa od 2005 roku. Inspiracje klasyką technicznego death metalu wymieszane ze swobodą czerpaną z jazzu z lat 70., funku i rocka czynią formację jedną z najciekawszych w swojej lidze, co słychać choćby na ich ostatniej jak dotąd płycie "The Orb", która ukazała się w 2023 roku. Na wspólnej trasie Allegaeon i Gorod będą dzielić scenę z Abysmal Dawn. Formacja z Los Angeles na karku ma ponad dwie dekady działalności, w tym czasie wypluła na świat 5 albumów. Ostatni z nich, "Phylogenesis", swoją premierę miał w 2020 roku, ale pod koniec zeszłego roku zespół podzielił się nowym singlem "Cradle of Affliction", który zwiastuje kolejny rozdział ich działalności. ALLEGAEON x GOROD Special guest: Abysmal Dawn Szanowni Państwo. Prosimy o kupowanie biletów wyłącznie w autoryzowanych punktach sprzedaży. Poprzez kupno wejściówek od osób trzecich możecie zostać Państwo oszukani. Wstęp na koncert 13+ za pisemną zgodą rodzica. Poniżej 13 lat, wymagana obecność pełnoprawnego opiekuna. Pisemny wzór zgody rodzica - link Regulamin wydarzenia - link W trosce o środowisko zachęcamy Was do pokazywania biletów na telefonie zamiast ich drukowania.

Performers

  • Allegaeon
    Allegaeon
    The members of ABYSMAL DAWN are currently ensconced at an undisclosed Los Angeles location, where they’re invoking the elder gods to power new material for their as-yet-untitled fifth full-length and follow-up to 2014’s Obsolescence. The Village Voice called Obsolescence “tirelessly inventive”, eventually crowning ABYSMAL DAWN the #1 spot on their 10 Best Metal Albums year-end list. Early samples of ABYSMAL DAWN’s Season of Mist debut demonstrate the trio’s newfound power, ingenuity, and songcraft. Certainly, ABYSMAL DAWN’s new opus picks up where Obsolescence left off, but it promises so much more.

    Formed in 2004, ABYSMAL DAWN quickly impressed on fan and band alike. The group’s three-song demo landed ABYSMAL DAWN a contract with Arizona-based Crash Music. Within a year, the group were holed up with engineer John Haddad (Intronaut, Hirax) at Shiva Industries recording their debut, From Ashes. Released in 2006, From Ashes was praised for its tactful balance of brutality, melody, and atmosphere, earning heavy praise from media outlets. Blabbermouth gushed, calling it, “irreproachably constructed.” Follow-up album, Programmed to Consume, again engineered by Haddad, was released in 2008 following a higher profile deal with Relapse Records. Immediately, the press heralded Programmed to Consume—“thinking man’s metal” said AllMusic.

    After subsequent tours, the group wrote the successor to Programmed to Consume up through the recording sessions at Artisan Road Studios (with producer Mike Bear) and Trench Studios (again with Haddad). Titled Leveling the Plane of Existence, ABYSMAL DAWN’s third album broke new ground with fan and press alike. Metalsucks called Leveling the Plane of Existence, “crushing modern death metal”, while Pandora found it, “savage”. Clearly, ABYSMAL DAWN’s bridging of death metal eras, songwriting prowess, and growing social buzz was eliciting the type of response for a band on their way up. Subsequent tours were successful in establishing ABYSMAL DAWN as one of America’s leading death metal acts.

    Leveling the Plane of Existence was followed by Obsolescence three years later. ABYSMAL DAWN were dead set on perfecting their brand of death metal. So, they set out to write an all killer, no filler record. Producer Bear and engineer Haddad were brought onboard again to track Obsolescence. What had worked mercilessly (the production) on Leveling the Plane of Existence was in no need of change. The result of ABYSMAL DAWN running on all cylinders and their production team dialing in on the group’s distinct sound resulted in a death metal powerhouse. Popmatters called it “nuclear-powered” and Teeth of the Divine opined it’s a record that “wants to cave your damn head in.” Four albums in, ABYSMAL DAWN weren’t just proficient in the finer arts of death, they were proven masters of it.

    As a new age sets upon ABYSMAL DAWN—the Angelenos are entering their 13th year—there’s no turning back. The group aren’t interested in throttling down on their quality commitment to death metal and they’re certainly not ready to let their legion of fans down by shifting gears into death metal-lite. A new label deal with Season of Mist and the beginnings of a pivotal death metal album in their hands, ABYSMAL DAWN are the future.
  • Gorod
    Gorod

    GOROD

    Technical Death Metal from France, with love.

  • Abysmal Dawn
    Abysmal Dawn

    The members of ABYSMAL DAWN are currently ensconced at an undisclosed Los Angeles location, where they’re invoking the elder gods to power new material for their as-yet-untitled fifth full-length and follow-up to 2014’s Obsolescence. The Village Voice called Obsolescence “tirelessly inventive”, eventually crowning ABYSMAL DAWN the #1 spot on their 10 Best Metal Albums year-end list. Early samples of ABYSMAL DAWN’s Season of Mist debut demonstrate the trio’s newfound power, ingenuity, and songcraft. Certainly, ABYSMAL DAWN’s new opus picks up where Obsolescence left off, but it promises so much more.

    Formed in 2004, ABYSMAL DAWN quickly impressed on fan and band alike. The group’s three-song demo landed ABYSMAL DAWN a contract with Arizona-based Crash Music. Within a year, the group were holed up with engineer John Haddad (Intronaut, Hirax) at Shiva Industries recording their debut, From Ashes. Released in 2006, From Ashes was praised for its tactful balance of brutality, melody, and atmosphere, earning heavy praise from media outlets. Blabbermouth gushed, calling it, “irreproachably constructed.” Follow-up album, Programmed to Consume, again engineered by Haddad, was released in 2008 following a higher profile deal with Relapse Records. Immediately, the press heralded Programmed to Consume—“thinking man’s metal” said AllMusic.

    After subsequent tours, the group wrote the successor to Programmed to Consume up through the recording sessions at Artisan Road Studios (with producer Mike Bear) and Trench Studios (again with Haddad). Titled Leveling the Plane of Existence, ABYSMAL DAWN’s third album broke new ground with fan and press alike. Metalsucks called Leveling the Plane of Existence, “crushing modern death metal”, while Pandora found it, “savage”. Clearly, ABYSMAL DAWN’s bridging of death metal eras, songwriting prowess, and growing social buzz was eliciting the type of response for a band on their way up. Subsequent tours were successful in establishing ABYSMAL DAWN as one of America’s leading death metal acts.

    Leveling the Plane of Existence was followed by Obsolescence three years later. ABYSMAL DAWN were dead set on perfecting their brand of death metal. So, they set out to write an all killer, no filler record. Producer Bear and engineer Haddad were brought onboard again to track Obsolescence. What had worked mercilessly (the production) on Leveling the Plane of Existence was in no need of change. The result of ABYSMAL DAWN running on all cylinders and their production team dialing in on the group’s distinct sound resulted in a death metal powerhouse. Popmatters called it “nuclear-powered” and Teeth of the Divine opined it’s a record that “wants to cave your damn head in.” Four albums in, ABYSMAL DAWN weren’t just proficient in the finer arts of death, they were proven masters of it.

    As a new age sets upon ABYSMAL DAWN—the Angelenos are entering their 13th year—there’s no turning back. The group aren’t interested in throttling down on their quality commitment to death metal and they’re certainly not ready to let their legion of fans down by shifting gears into death metal-lite. A new label deal with Season of Mist and the beginnings of a pivotal death metal album in their hands, ABYSMAL DAWN are the future.

  • Winiary Bookings
    Winiary Bookings

    We care about music. We care about people.

    https://www.instagram.com/winiarybookings/