Somewhere Festival 2026
Downtown Wichita, Kansas, 650 E 2nd St N, 67202 Wichita Directions
Fri 25.09.2026 16:00
Somewhere is a place to step away from the noise of the world—gaining clarity within a community of deep thinkers and creative explorers. Our intention is to immerse ourselves in the vast unknown, explore what we cannot yet conceive, experiment with purpose, and embrace shared consciousness to discover ideas and creations that better the world.
Stay tuned for lineup info!
For group tickets, please contact info@movementmusick.org
Somewhere Festival 2026
Wichita, Kansas
Performers
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Two Friends
📱 Text us: +1-323-310-1431
Music + Tour Dates + more: https://twofriendsmusic.com/twofriends
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DJ Diesel
The World's Biggest DJ
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Bailey Zimmerman
“New To Country” Summer Tour🤘
Tickets On Sale NOW 👇
https://baileyzimmerman.komi.io
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Bob Moses"Howie and Vallance are worthy of attention for how they fuse house with genuine singing and songwriting talent, as well as a live aesthetic that comes through clear and cohesively" - Ibiza Voice
"Hankering for some moody, post-club music that doesn't totally expunge the fire within? Bob Moses might just be your men." - Resident Advisor
"Vancouver deep house duo Bob Moses are giving us all a glimpse into the future" - DJ Mag Canada
Canadian grown (legally), New York formed duo Jimmy Vallance and Tom Howie are one of the latest acts to release on the boutique label Scissor and Thread. Although only cordially discussing music and life in the same high school art class in Vancouver BC, it wasn't until several years later that they bumped into each other at a Lowe's parking lot and teamed up to make the act now known as Bob Moses.
Music that will make you want to build a highway through a low income neighbourhood.
www.twitter.com/bobmosesmusic
www.soundcloud.com/the-bob-moses
www.youtube.com/bobmosesmusic
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Evan Honer
A cross-country move to Nashville. An international touring schedule. A record label with 25 artists and more than 100 releases, all operating out of his living room. A recording studio built into his four-car garage. Evan Honer spent 2024 in a blur of momentum, expanding his life in all directions, playing nearly 100 shows in support of his second album, Fighting For, while writing new songs for its follow-up.
Only two years earlier, his cover of Tyler Childers' "Jersey Giant" had become a viral juggernaut, earning more than 200 million streams and launching his music career. He was busy then, too, balancing his college classes with nighttime gigs as a solo act and daily practices with the school's Division 1 swimming team. Things only intensified as school came to a close. Honer released the debut album West On I-10 on graduation day and quickly remade himself into a road warrior, balancing the challenges of early adulthood with an unbending commitment to music.
Then, one day, he learned to look around him and take stock of the present. Everything I Wanted finds Honer planting new roots in Nashville, his adopted hometown after a multi-year stint in Southern California. Recorded over 18 days in a garage studio that he built himself, it's a homemade record with big-studio sparkle, its 13 songs emphasizing the indie and alternative-pop influences that have always lingered on the outskirts of his sound. Here, they're moved to the forefront, pushing Honer beyond his roots as an acoustic Americana act and into something more eclectic and electrifying. There are string arrangements courtesy of a talented neighbor, Kate Stephenson. There are horn arrangements, pedal steel swells, and contributions from his roommates, too. At the center of that sound is Evan Honer himself: an acclaimed songwriter, storyteller, and bleeding-heart vocalist who, after years on the move, has learned to slow down a bit and appreciate the moment.
"My life completely changed this past year," he says. "I'm learning to be happy with where I'm at. I'm grateful that I get to stand onstage and sing songs I wrote in my bedroom, and people know the words and sing them back to me. How can you be upset about that?"
It's true; there's a lot to be grateful for. 500 million streams, for starters. An RIAA gold certification for his "Jersey Giant" cover. Sold-out shows alongside headliners like Wyatt Flores. The ongoing success of his own label, Cloverdale Records. With Everything I Wanted, though, Honer turns his gaze inward, writing autobiographical songs about romance, resilience, roots, and his relationship with his audience.
"When the going gets tough, I'll stick through the season," he promises during "Maybe For Once." On the surface, it's a love song to a woman he met on the road, her memory lingering in the rear-review mirror every time his van pulls away. For someone who's used to living life at 80 miles per hour, though, the song is something more: a self-made promise to focus not only upon the destination, but on the journey itself. "These songs are about me not getting in my own way," he clarifies. "I've stopped looking for reasons not to commit. I'm pushing myself to just let things happen." The rest of the record is similarly personal. On the cinematic piano ballad "It's a Home," Honer whisks himself back to childhood to unpack some traumatic family baggage. On "Place I Hate," he sings about a career filled with astral highs and bottomed-out lows. With the short-and-sweet "Waiting Room," he delivers a genuine love song in less than two minutes, showcasing just how concise his craft has become over the past three years. And with "Curtain," he sings directly to the fans who've supported him over the years, singing, "You guys bother showing up to hear me scream about my feelings… I don't know if you can tell, but I'm the one who really needs it."
Honer's previous album, Fighting For, was recorded during his first national tour, slowly pieced together in the studio spaces, living rooms, and AirBNBs he encountered while driving from show to show. Everything I Wanted, on the other hand, was recorded at home with producers Garrett Hall, Shane Travis and a small handful of guests. From the start, Honer embraced those differences. "The last thing I ever want to do is make something I've already made," he says, naming artists like Andy Shauf, Medium Build, and Pinegrove as the album's touchstones. He sought outside opinions, too, by embracing Nashville's co-writing culture. "Writing with other people was exciting," he adds, "because some of these songs wound up going to places I wouldn't normally go."
Longtime fans will notice those changes and more. There's the Beatles-inspired bridge of "Finally Commit." The noisy, full-band freakout that brings the final track, "Wonder," to a close. The drums kickstart "Lose a Friend," one of Honer's only tracks to begin with percussion. Now three albums into his career, Evan Honer has more than a signature sound — he has the guts to expand and evolve that sound, as well. There will be more shows to play… more horizons to chase down in a 15-passenger van… but as long as Everything I Wanted is playing, you can find Evan Honer at home, coaxing new sounds out of the garage, thankful for the moment even as it passes by.
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Nexus
is
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Ian Munsick
Bringing the West to the rest.
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Cure For ParanoiaThe soul-infused hip-hop outfit has become the new face of the storied Dallas neighborhood. Now the band is taking Deep Ellum worldwide. The musicians that make up Dallas hip-hop group Cure for Paranoia have their own bold energy and personal styles which would best be described as aggressively funky, a style that carries through to their music. Between Tomahawk Jonez’s and JayAnalog’s production, and Cameron McCloud’s brisk lyrical delivery, the band has designed its own brand of “trippy soul-infused hip-hop.”
The group formed when the guys took a “doomsday road trip.” Following the advice of some conspiracy theorist friends, they packed up and headed to an ideal place to wait out the apocalypse. When an earth-shattering meteor didn’t hit, inspiration did. Having recently been diagnosed with bipolar paranoid schizophrenia, McCloud found clarity in making music with his friends. By the time they returned home, the band was born. Cure for Paranoia was awarded Dallas Observer’s Best New Act in 2016 and Best Group Act in 2017. -
Thorn Haze
Maker of music.
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EclipseWe are Eclipse from Stockholm, Sweden!